Alanna and guitarist Jared Colby relocated to Nashville after cutting their teeth as working-class musicians in Boston. Once in Tennessee, they teamed up with bassist Gabriel Golden, forming a core lineup that often swells to as many as ten members — including backup vocalists and a two-piece horn section — in concert. Together, the band looked beyond Nashville’s country-filled past and, instead, took inspiration from Motown’s soul, Stax’s funky strut, and rock & roll’s rebellion. Tattooed, brash, and unapologetically unique, they stood out in a town dominated by Americana music, charting a unique course whose highlights have since included an appearance at Bonnaroo, a string of cross-country shows supporting acts like Lee Fields and St. Paul and the Broken Bones, and an audience that celebrates the band’s diversity…
The Arcadian Wild
The Arcadian Wild began in the fall of 2013 when a few choir students from Lipscomb University in Nashville, TN met up after class to jam for the afternoon. Years later, the band now consists of songwriters Isaac Horn (guitar) and Lincoln Mick (mandolin), and fiddler Paige Park. Currently, the folk group is touring off the anticipation and successful release of their sophomore record, “Finch in the Pantry” (May 2019, Antifragile Music), which debuted at #9 on the Billboard bluegrass charts. With roots running deep in formal vocal music, and influenced by progressive bluegrass and folk artists, The Arcadian Wild explores a unique acoustic sound that is simultaneously unified and diverse, offering…
Tim Bluhm
In one brief, excruciating instant, Tim Bluhm’s life changed forever. The acclaimed songwriter and avid outdoorsman was speed flying (a more intense version of paragliding) down a California mountainside when he lost control and crashed, slamming feet-first into a pile of felled trees at roughly 35 miles-per-hour. The force of the impact snapped his ankle in half and nearly tore his foot from his leg. By the time his body finally came to rest, his pelvis was completely shattered. While Bluhm was lucky to be alive, he faced a daunting road to recovery, one that required him to be bedridden for the better part of a year as he underwent more than a dozen surgeries. It was the kind of traumatic injury…
Rachael Davis
Multi-instrumentalist Rachael Davis is as renown for her expressive–and explosive–voice as she is for uniting the often desperate worlds of folk, blues, country, and pop. Davis grew up not only in a family of musicians, but in an extended village of remarkable musicians and songwriters who nurtured and mentored her from the time she was born…
LUKE WINSLOW KING
The NY Times proclaims singer, songwriter, and guitarist Luke Winslow-King “seamlessly meldsDelta blues, gospel, and jazz themes…that speak to his personal and artistic evolution.” His new album ‘IfThese Walls Could Talk’ showcases an evolution of his sound that is bothbright and reverent and features an all-star cast of blues, roots, and world music greats, including Roberto Luti (Playing For Change), Chris Davis (King James and the Special Men),and Charles Hodges (Al Green), produced by Dominic Davis (Jack White).
Greg Loiacono
From his first gigs with the legendary Mother Hips all the way up to his recent debut solo album, ‘Songs From A Golden Dream,’ Greg Loiacono has always been driven by one unwavering desire: to connect. In music, he found a direct conduit to the soul, a miraculous means by which to inspire and unite, and it’s guided him like a compass throughout his remarkable career. Whether Loiacono’s fronting a band, guesting with peers like Phil Lesh or Chris Robinson, or onstage by himself, it’s all part of a never-ending quest to generate and celebrate the magic…
Ryan Martin
Hudson Valley, NY-based singer-songwriter Ryan Martin will release his third album, Wandercease on October 23rd via High Moon Records. It’s Martin’s most musically adventurous and emotionally authentic record, blending masterful melodic instincts with giant musical hooks and a vibrant, multi-hued sonic palette. Wandercease ranges from deep introspection to radiant joy. Confidence and curiosity combine to create an expansive and cohesive sense of mood and place…
Scott Miller
“I’ve been told my songs have time bombs in ‘em,” he says. “I met this playwright when I was playing in DC a couple of weeks ago and she was all gaga over my writing and she told me ‘It sounds so simple but it’s so complex,’ and that comes from all my love and study of modernist poetry, all these subtle allusions to Sanskrit and [crap] like that,” he says. “I like to pack that [stuff] in there naively thinking that people will get it. But they don’t, and that’s why my career sits where it does. Maybe 10,000 years from now they will be regarded like Cicero’s letters, but I don’t know…”
The Mother Hips
Twenty-five years into a celebrated career is an unlikely time to switch things up, but The Mother Hips have never been ones to follow convention. For their brilliant and exhilarating new release, ‘Chorus,’ the California stalwarts turned their recording process on its head, laying down elaborate studio demos to serve as a detailed roadmap for the album a full year before official recording sessions began. It was a step that offered both the time and the space to fully realize their music like never before, and the result is the most refined and cohesive album in The Mother Hips’catalog, one that marks the beginning of what promises to be their most creative and prolific chapter yet.
Stevie Redstone
Stevie Redstone’s never been one to slow things down, but taking a break from the road proved to be just what the hard-touring L.A. songwriter needed. The change of pace offered a chance to recharge and reflect, to experiment and explore, and it resulted in the creative windfall that led him to his spectacular debut, ‘Shot In The Dark.’ Recorded at Los Angeles’ Valentine Studios with producer Nic Jodoin (Black Rebel Motorcycle Club, Allah-Las), the album is an infectious slice of vintage gold, a retro-tinged collection that feels both classic and modern at once as it draws on everything from Motown and Stax to Britpop and Laurel Canyon. Redstone’s songs burst with larger-than-life horns, cinematic strings, and wall-of-sound production, tipping their cap to George Martin and Phil Spector in their outsized ambition while still managing to remain profoundly dynamic and intimate.
TALKIN’ TO JOHNNY (WITH SALLIE FORD)
Hailing from Portland, OR, Sallie Ford’s got a voice like no other, and her new project Talkin To Johnny finds it at its rawest and most powerful yet.
A hard rocking trio, Talkin To Johnny features Maria Kohler on guitar….
Jackie Venson
Jackie Venson is a multi-instrumentalist, singer/songwriter known far and wide for her complexly beautiful music and blazing guitar skills. Born and raised in Austin, Texas, Jackie has traveled the world playing to massive crowds both as a headliner and as support for major acts such as Gary Clark Jr, Aloe Blacc, Citizen Cope to name a few. With the disruption of the COVID-19 pandemic, the cancellation of her entire tour schedule and the wave of social change sweeping across the country, Jackie committed herself to releasing more music than ever before, connecting with her fans directly and speaking up about the change she wanted to see in her city and country…
Dawn Landes
Dawn Landes is a Nashville based singer-songwriter whose music you might have heard if you watch The Good Wife, House or Gossip Girl. Along with releasing five albums since 2005 (and an EP inspired by yé-yé, ‘60s French pop music), she’s a frequent collaborator with contemporaries such as Sufjan Stevens, Norah Jones and composer Nico Muhly. She has appeared with the Boston Pops, the NYC Ballet and on the TED main stage performing songs from her forthcoming musicalROW about fellow Louisville native Tori Murden McClure’s quest to become the first woman to row across the Atlantic Ocean. Dawn’s 5th and most recent album “Meet Me at the River” (Yep Roc) was recorded with legendary producer Fred Foster (Roy Orbison, Dolly Parton) and features Bobby Bare, Charlie McCoy and other A-list players.
